Electrified

the moulded top above four short drawers wit turned handles, standing on four turned baluster legs, (AF). 76cm high, 150cm long, 100cm deep

the border embossed with flowers, shells, swags and scrolls, the plain well, 58 by 42.5cm, 1557g.

of rectangular form with reeded rim, plain well, 53 by 30cm, 1436g.

of circular form with fold-over reeded rims, seventeen small sized 11.5cm (diameter), eight medium sized 10cm (diameter), 1269g, (25).

NO LOT

LONDON 1802, CHARLES CHESTERMAN II hinged dome, top with urn finial, reeded rim and C-form reeded handle, 12cm (high).

EDINBURGH 1813, JOHN ZEIGLER fiddle pattern, engraved with initial “G”, 14.5cm (long), 44g.

BIRMINGHAM 1926, S.B. & S. LTD. of rectangular form, with engraved initials “R.E.D.”, interior cedarwood lined, 16 by 8.5 by 5.5cm.

comprising: 23 forks, 12 dinner knives, 12 dessert knives, 12 soup spoons, 12 dessert spoons, a basting spoon, a serving fork, a cake lifter and a pair of horn handled salad servers, reeded pattern, 2253g (total weighable silver), 76 pieces in to

CHESTER 1924, MAKERS MARKS INDECIPHERABLE removable pierced top with urn finial, plain body on a raised circular pedestal base, 18.5cm (high), 209g.

BIRMINGHAM 1886, MAKERS MARKS INDECIPHERABLE top embossed with scrolls and swags, with interior stopper, 13cm (high). Together with a similar example, a smaller perfume bottle and a pin cushion bowl, (4).

one depicting a male angel, the other a female angel, each angel holding a candlestick and kneeling on embossed scroll plinths, mounted on red velvet covered boards, bearing makers marks and Fleur-de-Lis, 39 by 22cm (each) 1046g, (2).

embossed removable wax pans, the central stem embossed and terminating on a circular pedestal base, can be converted to a pair of candlesticks, 47cm (high), (2).

removable beaded handle, plain body engraved with initial “M”, on a beaded and reeded rim, 22cm (high), 30cm (diameter).

with carved Bakelite handle, the trowel with engraved presentation, foliage and swags, 33cm (long).

silverplate hinged top, spout embossed with caryatid mask, rim engraved with foliage, the C-scroll handle embossed with foliage, the glass body engraved with ferns, on a raised circular base, 31cm (high).

decorated with bold contrasting yellow, blue and red colours in the style of the early Ming Dynasty, with gilt bronze bands at the foot and rim, minor enamel flaking above the foot rim, 18cm high. Note: See Lot 325, Bonhams: Fine Chinese Art Sale,

finely enamelled with fans, phoenix, cranes and flower-heads, circa 1880, 16cm high.

decorated with hunters and their tame tigers hunting antelope, probably originating from Hyderabad, shows some wear, 45cm high.

embellished with bands of decorative metal work over under-glaze blue and white designs and cabochon coral bosses, the large knop similarly decorated, 42cm diameter of bowl, 36cm high.

his line-incised eyes in meditation, the hair piled into a tightly-curled usnisha and with two long earlobes, 58cm high.

MEIJI PERIOD 1868-1912 the elderly man seated on a filled woven basket, a ko-bako tied to his waist and holding a pipe whilst pointing at his son who is by his side with one foot raised on a tree stump, attribute lacking, repairs, incised and in

MEIJI PERIOD 1868-1912 seated in dhyanasana on a double-lotus base with hands held in dhyanamudra dressed in long flowing robes and loose shawl, the rounded face with serene expression below, tight curls of hair surrounding the ushnisha, signed,

MEIJI 1868-1912 comprising: a child leaning on a wooden barrel whilst holding a mask to his face, signed, a child crouching beneath a straw hat, a kneeling fruit seller cutting a fruit on which a mouse perches, signed, and a child offering a dou

MEIJI PERIOD 1868-1912 5cm long, and a Japanese carved ivory netsuke in the form of a box, Meiji Period, rectangular, carved in low relief with a kylin beneath script against a wave ground, signed, 4.5cm high, (2).

formed as two conjoined vessels with covers, each tapering body carved with a mythical creature, the neck with scroll handles, conjoined at the shoulders by a Dog-of-Fo mask grasping in its mouth a loose chain terminating in a kylin, the domed cov

the ovoid body carved in high relief to one side with a chilong amongst clouds, 6.5cm high.

of varying purple tones, the gourd-shaped body carved with a flower-head and foliage, 7cm high; and a Chinese carved hardstone snuff bottle and a stopper, of mottled blue tones, the flattened ovoid body carved with a seated sage, the reverse with

with a carved front apron, the crown of the head lifting to reveal an inkwell, liner later, 12cm high, 24cm long.

decorated with contending dragon chasing a flaming pearl, between formal stiff borders and lotus heads, 32cm high.

in the style of the English Caughley factory, decorated with the “Pine Cone”pattern bearing the Caughley mark but probably Samson, one footrim with chips, 26cm high, (2).

first half of the 19th Century, decorated with panels of houses, 12cm high, 17cm over the handle.

decorated with lines of Tunbridgeware inlay, the interior divided into two lidded sections with brass knops, shows some re-finishing, interior covers replaced. 12.5 by 24 by 13cm

the sides with pierced panels of flowers, the cover with finely pierced ivory carving backed by tortoiseshell Canton work, circa 1850, some damage. 4.5cm high, 10cm diameter.

AFTER KITAGAWA UTAMARO (1753-1806) one depicting a bust portrait of a geisha staring at her reflection in a mirror, from the series “Eight Views of Teastalls in Celebrated Places”, (Meisho Koshikake Hakkei), another depicting a bust portrait of

comprising: 23 champagne flutes, 18 sherry glasses, 6 water glasses, 6 brandy goblets, 12 whiskey glasses, 14 port glasses, 18 white wine glasses, 6 tot glasses and 1 mint dish, each glass decorated with floral patterns, 104 pieces in total.

comprising of 10 champagne flutes, 5 white wine glasses, 6 water glasses, 12 port glasses and 6 sherry glasses, each glass decorated with foliage patterns, 39 pieces in total.

various colours and sizes, (8).

decorated with shells, base signed R. Lalique, France, 5cm (high), 13cm (diameter).

serpentine rim, profusely decorated with various star patterns, 15.cm (high), 30cm (diameter).

base signed, 12.5cm (high).

in turquoise, four knopped stems on circular raised bases, 18cm (high), (2).

decorated with blue, green, pink and grey stripes and flowers, base signed, 17cm (high).

MAN AND WOMAN Terracotta sculpture, signed and dated located “Nigeria”, 36cm (high), (2).

with floral sprays against a white ground, black and gilt trim, comprising: a teapot, a coffee pot, 10 tea cups and 12 saucers, 15 coffee cups and 12 saucers, 17 cake plates, a two-handled sugar bowl with integral saucer, cover lacking, 12 fis

comprising: 8 dinner plates, 8 fish plates, 6 side plates, 4 soup plates, 11 dessert bowls, 8 consommé bowls and 9 saucers, 3 oval platters, in sizes, 3 tureens and 2 covers, 3 gravy boats and 4 stands, 4 oval bowls, 8 coffee cups and 8 saucers

comprising: a teapot, sugar bowl, creamer, 10 cups and 10 saucers, decorated in lilac ground with gilded highlighting, 23 pieces in total.

82cm (high).

84cm (high).

63cm (high).

different sizes, chips, hairline cracks, 9.5cm (height of largest), (30).

23.5cm (height of largest), (8).

comprising: 4 plastic plates, 2 sandwich tins, 4 forks, knives and teaspoons, 2 coffee/tea flasks, 4 plastic cups, 2 tea caddy’s and 2 preserve jars, 28 pieces in total.

the feathered bird with tail movement, on gilt brass perch under a gilt brass cage, base embossed with flowers and swags, in working condition, 29cm (high).

dark patina, 19cm (high), 72.5cm (long).

the bulbous body hand-painted with foliage, plain oil well, on a raised pedestal base, complete with glass flue, 70cm (high).

off urn form, with white ball form shade, terminating on a circular pedestal base, complete with glass flue, 67cm (high).

decorated with green and brown leaves, 48.5cm (high).

with wrought iron swing-over handle, 31.5cm (high), 43cm (wide).

of scroll and leaf form, 33cm (high), (2).

the madder field with eighteen mirror guls depicted in black, ivory, madder and orange, within narrow geometric borders, good condition, complete with backing, 36 by 118cm.

depicting arhats and dragons, in a presentation box, 12.5cm (diameter), 5.5cm (high).

the ornately carved rectangular plaque featuring a figure of Kwan Yin, surrounded by cloud scrolls and birds, the frame sliding into a carved hardwood stand with reticulated spandrels, apron and transverse feet, some losses, 37cm (height of pla

the square pierced top above slightly tapering sides, on a moulded base, 22 by 18 by 18cm.

of faceted form with fully fitted interior and handles by Bulpitt & Sons Ltd., Birmingham, 42cm high, (AF), (2).

Kalliopy, the mahogany case with a panel quartered top with geo-metric panelled sides and pilasters on a moulded base, 23cm high, 58cm long, 63cm wide.

the case of typical waisted form with various dials for humidity, temperature, time, balance and barometric pressure, 121cm (height).

the top of spherical form above a stylized vase on a fluted column with an octagonal base, 157cm high.

manufactured by Pelwa, 20th Century, each concentric ring adorned with triangular drops and faceted beads joined to a central support by six rods, manufacturers stamp, 67cm high, 61cm diameter.

Rococo-style, with classical floral carving, 87cm high, 53cm long, 43cm deep, (AF), (2).

depicting various deities, both carved and painted, 32 by 28cm, 28 by 43cm, (AF), (2).

by A.E. Duffey, published by Protea Book House, Pretoria 2008, with black and white illustrations and photographs, dust cover. VAN ESSCHE by Carl Büchner, published by Tafelberg, Cape Town 1967, Limited edition of 750 copies, with colour illust

by Muller Ballet, published by Sun Media, Stellenbosch 2015, with colour and black and white illustrations and photographs. VAN ESSCHE by Carl Büchner, published by Tafelberg, Cape Town 1967, Limited edition of 750 copies, with colour illustratio

compiled by Mona de Beer, text by Mona de Beer and Brian Johnson Barker, published by Struik Publishers 1992, with black and white photographs.

by George Manuel, illustrations by Tony Grogan, published by Don Nelson Publisher, Cape Town. First Edition 1977, with black and white illustrations and photographs. TONY GROGAN’S VANISHING CAPE TOWN published by Don Nelson, Cape Town, signed

by Captain W. Cornwallis Harris – A Facsimile Reprint with a full colour portrait of the author. Introduction by Frank R. Bardlow, F.R.G.S. Published by Frank Read Press, Mazoe, Rhodesia 1976, number 43 of 150 copies, with colour and black and wh

by Samuel Daniell – A Facsimile Reprint of the aquatint plates, originally published in 1804-5, with an introduction and notes by Frank R. Bradlow, published by A.A. Balkema, Cape Town andRotterdam 1976, number 68 of 550 copies, with colour ill

individually stamped curb links with T-bar and swivel fob clasp, together with a gold pound, dated 1808, 38cm (length of chain), 72.5g.

enamel Roman numerals on front cover, white enamel dial with Roman numerals with second hand sweep, distressed, 5cm (diameter), 89.3g.

claw set brilliant cut diamond of approximately 1.8ct on solid shank, colour K, clarity SI1, 4.4g.

depicting a classical female bust on pink ground, in an oval frame, together with a safety chain, 6 by 4.9cm.

depicting a classical female bust in an oval rope and scroll frame, 4.2 by 3.3cm.

carved agate on carnelian ground, set in round frame set with seven miners cut diamonds and seed pearls, 3.5 by 6cm.

centre brilliant cut diamond claw set in lozenge form, flanked by two semi- eternity bands on each side, ending on a broad band, diamonds of approximately 0.40ct, 11.4g.

six pearl shaped claw set sapphires, flanked by eleven brilliant cut diamonds on segmented chain, diamonds of approximately 0.20ct, 44cm (length),7.6g.

rectangular sapphire tube set, surrounded by eighteen channel set brilliant cut diamonds, flanked by three square sapphires ending in a solid shank diamonds of approximately 0.20ct, 5.1g.

centre claw set oval opal flanked by claw set diamonds in bar and circular forms, opal 1 by 0.08cm, diamonds of approximately 0.20ct, 5.9cm (length), 6.1g.

set with eleven claw set blue stones, 5.2 by 3.2cm, 3.6g.

set with eleven claw set pink stones, 5 by 3.2cm, 3.5g.

five round brilliant cut claw set diamonds on a solid shank, diamonds of approximately 0.25ct, 4.5g.

twenty-two seed pearls channel set, 5 by 2.8cm, 2.9g.

tension set blue topaz ending on a solid shank, 1.6 by 1cm, 9.3g.

cabochon jade tube set on raised top, embellished with the Greek keys, rope and Chinese dragons, ending in a solid plain shank, 1 by 0.90cm (jade), 8g.

one diamond and eighteen claw set sapphires in scroll form, with blue enamelled sides, 5.2 by 2.9cm, 8.4g.

oval topaz claw set in scroll and rope form frame, 3.4 by 2.4cm (topaz), 5 by 3.5cm (overall), 19.7g.

five round tube set turquoise on raised dome, rope edged, ending in a broad solid shank, 8.1g.

cream dial with Arabic numerals, complete with manuel winder, the back cover with enamel work.

two claw set diamonds and three claw set sapphires on solid shank, diamonds of approximately 0.10ct, 2.7g.

oval centre amethyst milgrain set, surrounded by twelve pearls, 2.5 by 1.9cm, 6.2g.

with Kylin and Chinese characters.

6.4 by 4.2cm.

of square form, 6.1 by 4.1cm

STILL LIFE OF FLOWERS IN A VASE Oil on board Signed 19 by 14cm

STILL LIFE OF FLOWERS IN A VASE Oil on board Signed 18 by 12cm

SOME LONE FOREST PLACE AND THE TREES ARE FOR THE HEALING Oil on board Signed, signed and titled verso 17 by 26cm & 17 by 24.5cm (2)

SAIL BOATS Mixed media on paper Signed and dated ’54 in pencil 21 by 58.5cm

FOREST Oil on board Signed 60 by 50cm

LANDSCAPE Silkscreen print on paper Signed, dated ’77 and numbered 33/75 in pencil in the margin 53.5 by 41.5cm

TUBE ROSIES Oil on board Signed with initials, verso inscribed “for Bunnie by Gwelo Goodman”, titled verso 39 by 29.5cm

CAPE FARM HOUSE Oil on canvas Signed 60 by 44cm

FARMHOUSE IN VINEYARD Oil on canvas Signed 50 by 75.5cm

LANDSCAPE WITH RIVER Oil on canvas Signed 50 by 75cm

RIVER STREAM THROUGH TREES Oil on canvas Signed 50 by 75cm

TWO WOMEN CHATTING Oil on canvas Signed 70 by 55cm

FRUIT SELLERS Oil on canvas Signed 70 by 55cm

MOTHER BRAIDING CHILD’S HAIR Oil on canvas Signed 70 by 55cm

CONTEMPLATING Oil on canvas Signed 70 by 55cm

IN DEEP THOUGHT Oil on canvas Signed 70 by 55cm

HARLEQUIN Oil on board Signed 60 by 44.5cm

LANDSCAPE WITH BLUE FLOWERS Oil on board Signed 21 by 15cm

KAMMIESKROON PASS Oil on board Signed and dated ‘87 73 by 52cm

DISTRICT SIX STREET SCENE Oil on board Signed 49 by 39cm

FISHERMAN AT WORK Oil on board Signed and dated ‘67 50 by 60cm

FIGHTING ROOSTERS Print on board Signed and dated ‘62 62.5 by 65cm

LADY OF NDBELE Lithograph on paper Signed and dated ‘83 50 by 60cm

MOTHER AND CHILD Colour lithograph on paper Signed and dated ‘68 26 by 31.5cm

LANDSCAPE Oil on canvas Signed 60 by 90cm

STILL LIFE OF FLOWERS AND ORIENTAL VASE Oil on board Signed 60 by 44.5cm

STILL LIFE OF HYDRANGEAS Oil on board Signed 44.5 by 60cm

FARM COTTAGES Oil on board Signed 44 by 59cm

MUIZENBERG FROM SIMONS TOWN COAST Oil on board Signed and titled verso 70 by 113cm

FISHERMAN’S COTTAGES Oil on canvas Signed paint loss 75 by 100cm

LANDSCAPE WITH TREES Oil on board Signed 54.5 by 39cm

FARM COTTAGES Oil on board Signed 32 by 48cm

NEAR ALICE, EASTERN CAPE Oil on board Signed and titled verso 33.5 by 49cm

HARVESTER Mixed media on paper Signed 74 by 54cm

HARVESTER Charcoal sketch on paper Signed 27 by 19cm

GIRL HOLDING FLOWERS Mixed media on paper Signed 27 by 19cm

HADJE ABDUL Etching on paper Signed with initials in pencil, titled 16 by 15cm

THE CASTLE COURTYARD Etching on paper Signed with initials in pencil, titled 13 by 12.5cm

NAMAQUALAND Oil on board Signed, dated ’97 and numbered 295 126 by 154cm

PAIR, BLUE AND RED POPPIES Oil on board Signed and dated ‘97 132 by 105cm

ORANGE LANDSCAPE Oil on canvas Signed 96 by 131cm

PORTRAIT OF A 1920’s LADY Pastel on paper Signed and dated 2000 in pencil 62 by 48cm

WOMAN AND DOG Colour lithograph on paper Signed, dated ’94 and numbered 60/120 in pencil in the margin 63 by 44.5cm (sheet size)

THE GLEN Oil on canvas Signed and dated ‘67 Titled, signed and dated 1967 verso 38.5 by 68.5cm

STORMY SEA Oil on canvas Signed and dated 22.10.13 120 by 100cm

HOUSES IN LANDSCAPE Watercolour on paper Signed in pencil 20 by 27cm

SHAKA KILLS THE LEOPARD SHAKA SERIES NO. 7 Woodcut on paper Signed, dated ’73 and numbered 23/225 in pencil in the margin 49 by 32cm (sheet size)